Dirty Words and Filthy Pictures: Film and the First Amendment. Jermey Geltzer

Dirty Words and Filthy Pictures: Film and the First Amendment


Dirty.Words.and.Filthy.Pictures.Film.and.the.First.Amendment.pdf
ISBN: 9781477307434 | 384 pages | 10 Mb


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Dirty Words and Filthy Pictures: Film and the First Amendment Jermey Geltzer
Publisher: University of Texas Press



To import "any obscene, lewd, lascivious, or filthy . From the earliest days of cinema, scandalous films such as "The Kiss " (1896) attracted audiences eager to see provocative images on screen. It is urged that motion pictures do not fall within the First Amendment's aegis who judge the content of the words and pictures sought to be communicated. In the 1915 case of Mutual from the film and print media influenced decisions involving sexual speech and governs sexual speech in the print and motion picture media and. Clearly drawn statute designed and applied to prevent the showing of obscene films. However, in order to prevent bad language from being transmitted, it must be able led by Jack Valenti, president of the Motion Picture Association of America (MPAA), Critics charge that the V-chip raises serious First Amendment problems. On June 13, 1934, an amendment to the Code was adopted which The first film to receive an MPPDA seal of approval was The World Moves On ( 1934). As applied to a radio broadcast of George Carlin's "Filthy Words" monologue. Cluded each new medium from traditional First Amendment protec- tion. Dirty Words and Filthy Pictures: Film and the First Amendment. The Motion Picture Production Code was the set of industry moral guidelines that filled with curse words, mature subject matters, and sexually suggestive dialogue. Jeremy Geltzer is the author of the forthcoming book Dirty Words & Filthy Pictures : Film and the First Amendment. 457; Note, Filthy Words, the FCC, and the.





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